Taj Mahal - One of the New 7 Wonders
The Taj Mahal (Crown Palace) is India's most famous structure,
and, perhaps the most beautiful piece of architecture in the world. Photographs
cannot truly capture its grandeur. While this is true for most photos, it seems
especially true for this almost perfectly proportioned tomb of Mumtaz Mahal and
its creator, Shah Jahan, the fifth Mughal ruler.
Mumtaz Mahal was the
second, and favorite, wife of Shah Jahan (r. 1628-1658). A Persian princess
born as Arjuman Banu Begum, she was a significant influence in his life and in
his policies. She died at age thirty-nine while giving birth to their
fourteenth (some say thirteenth) child in 1631. The ruler went into deep
mourning and much of his empire was compelled to do the same.
Almost
immediately there was announced a competition for plans to construct a tomb and
shrine worthy of the ruler's beloved. Numerous legends surround the selection
of the architect--some even implausibly suggesting that it was a westerner from
Italy or France. But although a number of names have been proposed, the
architect's name is unknown. It is clear that talent from many parts of the
Muslim and western worlds came together in Agra to work on the mausoleum:
engineers, carvers, artists, calligraphers, architects, craftsmen of all sorts,
and a variety of common laborers. It is estimated that 20,000 worked on the
tomb from 1631 to 1648. Work continued in the adjoining areas until 1653. It
should be noted that the Taj Mahal is a total package of tomb, mosque, gardens,
gateways and fountains. The workers did produce a grand masterpiece, but it, as
well as wars and other projects, also strained the resources of the entire
empire.
Shah Jahan moved his capital to Delhi from Agra in 1648. There
he built a number of new buildings, including the Delhi Red Fort that added
further to the debt of the Mughal empire. His serious illness of 1657, however,
eventually brought familial conflict and a struggle for power; his son,
Aurangzeb, seized the throne and imprisoned his father until the latter's death
in 1666.
In the eighteenth century external forces challenged the power
of the Mughals, as Persians, French and British overturned the loosely-knit
Mughal empire. The Taj Mahal, accordingly, suffered from neglect and willful
looting. Under the British the marble terrace became a venue for balls and
entertainments, and the gardens grew famous as trysting places. The British
treated the Mughal monuments with scorn, and in the late 1820s Lord William
Bentinck, governor general of Bengal even announced plans to strip them of the
marble and send it to England for auction. The Taj luckily was spared
destruction because there had been no market for the marble already
sent.
The Taj Mahal is set on a raised platform that is 6.6 meters
(20 ft) high and covers an area of 93.9 sq. meters (313 sq ft). The corner
minarets are 41.1 meters (137 ft) high. The main structure is 62 meters (186
ft) on each side. In contast to the gleaming white marble of the mausoleum,
there is a pair of red sandstone buildings flanking the tomb to the west and to
the east; the western building is a mosque, while the other, sometimes called
the guest house or museum, was built to complete the symmetry of the scene. The
water causeway and fountains beautifully join the gateway and the tomb in
perfect symmetry.
There are numerous significant and striking elements in
the Taj Mahal. The marvelously graceful piedra dura (or stone inlay work) that
Adorns many surfaces. This ncludes the three major elements of the Muslim
decorative arts: the sayings from the Q'uran, geometrical shapes and a variety
of plant forms and flowers, often repeated as borders. The marble and precious
stone inlays are so skillfully fit together that one can hardly detect a seam,
even with close examination. The calligraphy of sayings from the Q'uran on the
mausoleum, are in a kind of trompe l'oeil style; the letters gradually increase
in size as they go up the side of the structure, so that from the ground all
letters appear perfectly uniform. Perhaps, however, the greatest impact is how
all of its parts fit together so perfectly, making the entire complex much
greater than the sum of its parts.